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PUBLICATIONS AND EXHIBITIONS |
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1991: |
Dr Murdoch Lothian PhD thesis entitled 'The Methods Employed to Provenance and to Attribute Putative Works by Raphael': University of Liverpool : 1991 |
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Aug-Oct 2000: |
Exhibition of full-size, framed Tondo replica at Liverpool Metropolitan Cathedral |
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May-Jun 2001: |
Exhibition of Tondo replica at St Mary Moorfields, London EC2 |
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Jun-Sept 2001: |
Exhibition of Tondo replica at St Giles Cripplegate, London EC2 |
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Sept-Oct 2001: |
Exhibition of Tondo replica at St James's Piccadilly, London W1 |
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1 Nov 2002 |
Exhibition of Tondo painting at Society of Antiquaries of London, Burlington House, W1, for study session of scholars |
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1-30 Jun 2005 |
Exhibition of Tondo painting at Society of Antiquaries of London, Burlington House, W1 : 'The de Brécy Tondo and its relationship to Raphael's Sistine Madonna' |
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5 Feb 2007 |
Professor Howell G M Edwards (and Timothy J Benoy): original paper entitled 'The de Brécy Madonna and Child tondo painting: a Raman spectroscopic analysis' : in a special edition dedicated to Archaeometry of the Journal Analytical & Bioanalytical Chemistry : Springer : Volume 387 : Number 3 : February 2007 |
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13 Feb 2007 |
Henry Nicholls : in Chemistry World : entitled 'Raphael revealed by Raman spectroscopy' : Royal Society of Chemistry |
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14 Feb 2007 |
Alison Abbott : in Nature : entitled 'Pigments help to date disputed masterpiece – Spectroscopy puts painting in the Renaissance' : Macmillan |
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5 March 2008 |
Exhibition of Tondo painting at Whitworth Art Gallery, University of Manchester, Manchester M15, accompanying presentation by Professor Howell G M Edwards and Timothy J Benoy: 'The de Brécy Tondo – Identifying a possible Raphael' |
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6-31 May 2012 |
Exhibition of Tondo replica together with full-size, mounted photograph of the equivalent detail of the Sistine Madonna at Westminster Cathedral, SW1 |
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2019 |
Professor Howell G M Edwards (and Timothy J Benoy and William A Edwards): ‘Evidence of Pentimenti for the Authentication of Paintings: A Challenge for Analytical Science at the Interface with Art History’, in Peter Vandenabeele and Howell Edwards (ed.), Raman Spectroscopy in Archaeology and Art History, Royal Society of Chemistry, pp. 31-45. |
